Any Swing Goes

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Glenn Dunn (MD, piano, vocals)
Glenn studied at Chetham's School of Music before graduating at the University of Warwick, where he made his debut in the world of swing depping on piano for the best-selling recording "Big Band 1991". A founder member of ASG, he has been unable to shake off the role of Musical Director which he endeavours to combine with an altogether more sensible day job as a commercial property lawyer.

Aaron Liddard (alto sax)
"Sounds great!" Jools Holland
"The funkiest white guy in town." Robert Fordjour (Courtney Pine band)
Aaron Liddard has performed with Prince, Maceo Parker, Mike Philly, Amy Winehouse, Beverley Knight, Nik Turner, Kym Mazelle, and Rose Royce on live performances and TV shows including The Sharon Osborne Show, GMTV, The Chart Show, Top of the Pops 2, Later with Jools Holland, The BRIT Awards, and An Audience with Amy Winehouse. He is featured in promotional videos for Amy Winehouse (Rehab) and Beverley Knight (Queen of Starting Over), Amy Winehouse's documentary DVD, and played on Amy's The Specials recordings. Aaron also produced an album with esoteric big band LjC which has met critical aclaim - "A miraculous debut album" (Evan Parker) - and his compositions have been used in promotional trails including Doctor Who.

Alexandra Howlett (vocals)
Alex, who, when she sings 'I've got you under my skin', has been known to reduce grown men to whimpering messes, came from a musical family where both parents were opera singers. She was therefore always destined to head into the world of local politics, becoming mayor of Wandsworth at the age of 21. (Truly. Most of the band don't believe it either.) When rallying South Londoners with the aid of Mozart's Queen of the Night aria didn't work out, she realised her long held ambition of singing with one of the world's greatest swing bands. And breeding. (Her merry brood now numbers three, and 'I'm breastfeeding!', is a constant, and tiresome, excuse for not showing up at rehearsals.) Her most memorable moment? Singing 'I get a kick out of you' at a wedding 'with child', only to have the aforementioned deliver, right in the middle of the song, precisely the type of blow that might lead to the main refrain. (Ed: if you don't get that, neither do we. A trumpet player wrote it, though, so that's OK.)

Ben Cater (trombone)
Ben was very involved with the Hull music scene and also at the University of Warwick where he was awarded a music performance scholarship. There followed a 10-year spell of musical inactivity before joining Lawyers' Music orchestra and the fantastic ASG all stars. By day, he is one of the partners at the Cycle Surgery and by night he plays his 'bone with his eyes shut whilst riding a unicycle. Obviously talented.

Ben Dowsett (trombone)
After studying music at Guildhall and Cambridge University and Surrey University, Ben is now head of music in a 6th form college in Hampshire. Other than composing and Any Swing Goes, Ben's musical exploits include playing tuba and euphonium in orchestras around London. He has moved down through the ranks from 1st to 4th trombone.

Carter Holloran (trombone)
Another colonial masquerading as a musician just to get into the country - in Carter's case it worked as he can blow as hard as he can bluff.

David Fairfield (alto sax)
Multi-talented is not a fair description of this boy's talents. Neither is multi-faceted, multi-hued, or multiplied; it is just that when he starts playing and singing [at the same time !] you would think that there was more than one of him in the room and wish that there wasn't. Wit, raconteur, saxophonist, clarinettist, basso-profundo, stunt double for David Suchet, chef, pilot, lawyer, yachtsman, balloonist and part-time miner, this lad can boogie too.

Dominic Hall (guitar)
Eons back his long flowing locks and mandatory heavy jumper and thick cold won him a place in Ye Olde English Morrismen on rhythm pig bladder. A bad hair year or two later he cranked up his first electrified guitar to the sounds of early grunge when he played with the now dead Boys from the Crypt. Punk came and went, as did the hair colourants and gels and the mighty Zobb Brothers - darlings of the Horticultural Punk Scene, and the roots of his day job at Spencer-Hall Gardens. A dodgy period in his career saw him sporting ponytail and white suit as he funked his way through the disco & RnB years with Matt & The Vinyl Silks, and The Real DeeBees. By now almost completely bald he graduated at the Musicians Institute in Wapping with a diploma in Very Fast Jazz Fingering. 'The Count von One-to-three' as his is affectionately known these days, is the oldest member of Any Swing Goes, his head often outshining his polished guitar and sparkling performance.

Ed Perridge (trumpet)
Has been playing the trumpet classically for many years, but wanted to do jazz again so joined ASG with the hope of getting some free legal advice thrown in. He is still waiting.

Jeff Triggs (trombone)
One of the founder members of the Band. As musicians go, he is a pretty good lawyer.

Jeremy Robinson (trumpet)
Jeremy likes to play very high notes very loudly

Jonathan Richards (trumpet)
A stowaway smuggled into the country in the freezing hold of a BA plane, kept alive only by the buzzing of his lips which warmed his colonial soul. He blows horn and conjures up the sounds of his homeland - screeching galahs, hissing snakes, and the like, but also the mellowness of the koala, to whose permanently half-stoned state, he duets sublimely. Eats fruit and leaves and plays hot jazz.

Peter Wright (bass)
Cut his teeth playing the bass with his school Big Band, so has decided to play with his fingers instead. Draws inspiration from Herbie Flowers and tone from an ironing board.

Thom Wilkinson (tenor sax)
Thom has been playing sax for the past 16 years in a wide variety of bands and orchestras but never yet worked out how to get paid for it.

Tom Smyth (tenor sax)
Tom, who joined ASG in January 2005, has played a variety of musical instruments in the past, but without any particular distinction. After many years he has settled on the tenor sax, which he fits around his day job with a "major accounting firm". Tom cites his influences as the great "Texas tenor" players, particularly Illinois Jacquet, Arnett Cobb and Buddy Tate.

Vince Dunn (drums)
"The man who keeps the beat so sweet"
"You can see why his playing has been so revered"
These are quotes from various artists who have worked with him. Over the last twenty-five years Vince has played, recorded and toured with an impressive and diverse clientele from Cleo Laine and Courtney Pine to contemporary RnB Pop Artists such as Pharell and Blue Controll. Vince is currently with ASG and continuing to freelance with an exhausting gigging schedule and his own teaching programme. He plays the drums rather well too.

Zoë Tribello (alto sax)
The sax player's dream - beautiful tones and fabulous shoes.